"[...] All media work us over completely. They are so pervasive in their personal, political, economic, aesthetic, psychological, moral, ethical, and social consequences that they leave no part of us untouched, unaffected, unaltered. The medium is the message. Any understanding of social and cultural change is impossible without a knowledge of the way media work as environments.[...] All media are extensions of some human faculty — psychic or physical. [...] Media, by altering the environment, evoke in us unique ratios of sense perceptions. The extension of any one sense alters the way we think and act—the way we perceive the world. When these ratios change, men change.[...]"
Marshall McLuhan ("Medien sind die Botschaft" Media is the Massage)
"[...] Alle Medien bearbeiten uns vollständig. Sie sind in ihren persönlichen, politischen, wirtschaftlichen, ästhetischen, psychologischen, moralischen, ethischen und sozialen Auswirkungen so allgegenwärtig, dass sie keinen Teil von uns unberührt, unbeeinflusst und unverändert lassen. Das Medium ist die Botschaft. Jedes Verständnis von sozialem und kulturellem Wandel ist unmöglich ohne die Kenntnis der Funktionsweise von Medien als Umwelten […] Alle Medien sind Erweiterungen von einige menschlichen Fähigkeit - psychische oder physisch. [...] Medien, die die Umwelt verändern, rufen in uns einzigartige Verhältnisse von Sinneswahrnehmungen hervor. Die Erweiterung eines jeden Sinnes verändert die Art und Weise, wie wir denken und handeln - wie wir die Welt wahrnehmen. Wenn sich diese Verhältnisse ändern, ändern sich die Menschen.[...]"
Nützliche und hilfreiche Links
Marshall McLuhan
«Media is the Massage»
[Excerpt]
[...] All media work us over completely. They are so pervasive in their personal, political. Economic, aesthetic, psychological, moral, ethical, and social consequences that they leave no part of us untouched, unaffected, unaltered. The medium is the massage. Any understnading of social and cultural change is impossible without a knowledge of the way media work as environments.
All
media
are
extensions
of
some
human
faculty—
psychic
or
physical.
[...]
Media, by altering the environment, evoke in us unique ratios of sense perceptions. The extension of any one sense alters the way we think and act—the way we perceive the world.
When these ratios change, men change.
[...]
The ear favors no particular «point of view.» We are enveloped by sound. It forms a seamless web around us. We say, «Music shall fill the air.» We never say, «Music shall fill a particular segment of the air.»
We hear sounds from everywhere, without ever having to focus. Sounds come from «above,» from «below,» from in «front» of us, from «behind» us, from our «right,» from our «left.» We can‘t shut out sound automatically. We simply are not equipped with earlids. Where a visual space is an organized continuum of a uniformed connected kind, the ear world is a world of simultaneous relationships.
[...]
Listening to the simultaneous messages of Dublin, James Joyce released the greatest flood of oral linguistic music that was ever manipulated into art.
«The prouts who will invent a writirig there ultimately is the poeta, still more learned, who discovered the raiding there originally. That's the point of eschatology our book of kills reaches for now in soandso many counterpoint words. What can't be coded can be decorded if an ear aye sieze what no eye ere grieved for. Now, the doctrine obtains, we have occasioning cause causing effects and affects occasionally recausing altereffects.
Joyce is, in the «Wake,» making his own Altamira cave drawings of the entire history of the human mind, in terms of its basic gestures and postures during all the phases of human culture and technology. As his title indicates, he saw that the wake of human progress can disappear again into the night of sacral or auditory man. The Finn cycle of tribal institutions can return in the electric age, but if again, then let's make it a wake or awake or both, Joyce could see no advantage in our remaining locked up in each cultural cycle as in a trance or dream. He discovered the means of living simultaneously in all cultural modes while quite conscious.
[...]
Television completes the cycle of the human sensorium. With the omnipresent ear and the moving eye, we have abolished writing, the specialized acoustic-visual metaphor that established the dyriamics of Western civilization.
In television there occurs an extension of the sense of active, exploratory touch which involves all the senses simultaneously, rather than that of sight alone. You have to be "with" it. But in all electric phenomena, the visual is only one component in a complex interplay. Since, in the age of information, most transactions are managed electrically, the electric technology has meant for Western man a considerable drop in the visual component, in his experience, and a corresponding increase in the activity of his other senses.
Television demands participation and involvement in depth of the whole being. lt will not work as a background. lt engages you. Perhaps this is why so many people feel that their identity has been threatened. This charge of the light brigade has heightened our general awareness of the shape and meaning of lives and events to a level of extreme sensitivity.
lt was the funeral of President Kennedy that most strongly proved the power of television to invest an occasion with the character of corporate participation. lt involves an entire population in a ritual process. (By comparison, press, movies, and radio are mere packaging devices for consumers.) In television, images are projected at you. You are the screen. The images wrap around you. You are the vanishing point. This creates a sort of inwardness, a sort of reverse perspective which has much in common with Oriental art.
Quelle: Marshall Mc Luhan, Quentin Fiore, Das Medium ist die Massage, Bantam Books, Inc., USA/Kanada, 1967, S. 26, 41, 112, 120, 125.
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